From Fanboys to Pros
"Metropolis Mailbag," Superman #203 (Jan. 1968)
Dear Editor:
I know I speak for all Canadian readers when I say, Thank you for making us — and Expo '67 — a part of Superman No. 200 with that wonderful tribute to our Centennial in the last panel.
– David Sim
Kitchener, Ont., Canada
"Cape and Cowl Comments," World's Finest Comics #177 (Aug. 1968)
Dear Editor:
To Paul Nowack, who wrote in asking what kinds of arrows Green Arrow has used, let me add a few to the ones the Editor named: the Rocket-Satellite Arrow, Flame Arrow, Stun Arrow, Rattle-Arrow (which sounded like a rattlesnake), the tiny Mini-Arrow, the Propeller Arrow, Smokescreen Arrow, Explosi-Arrow, Electri-Arrow, Parachute Arrow, Metal-Finder Arrow, Jet Arrow, Blunt-Headed Arrow, and Suction Arrow. Also, I think the five mags in which G.A. has starred are More Fun Comics, Adventure Comics, World's Finest Comics, Brave and Bold, and Justice League. Am I right?
– Carl Gafford
New Milford, CT
"Smallville Mailsack," Superboy #161 (Dec. 1969)
Dear Editor:
"Superboy's Darkest Secret," in #158 was sensational! Far be it for this backseat editor to use the term lightly, but it was excellent. Frank Robbins turned what might have been a dull idea into an interesting plot characterization by action, novelty, and inventiveness. It wasn't quite like anything done before, yet it tied in with what did occur before. As for the art, we can only praise Bob Brown for his bold drawings of Superboy and Wally Wood for the beauty of the outer space scenes.
How about a plug for the colorist?
— Mark Evanier
Los Angeles
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"Letters to the Batman," Batman #231 (May 1971)
Dear Editor:
What can one sa about the cover of Batman #227 but fantastic, fabulous, fantabulous, utterly indescribable, beautifully done, etc., etc.!
I stared at this masterpiece for 15 minutes before opening the magazine to read the terrific tale that appeared bettween the covers. This cover was probably the best to appear on a comic mag this year. It created the mysterious atmosphere that was found in "The Demon of Gothos Mansion." Fear was created in the eyes of the girl as they were white and the colored part of the eye was not visible, The barely transparent, cloaked figure of The Batman was fantastically gloomy and appeared to foretell of his bizarre adventure that would take place within Gothos Mansion and on the grounds of this very mysterious structure. The full moon, of which a third was obscured by the mystifying figure of The Batman and the few wings of birds (or bats) winging through the night, gave the reader a foresight into the grotesque happenings of this night.
I wish there was something really terrible about the story itself, as I have yet to write a letter cutting you guys up — but O woe, I cannot, no matter how hard I try, find a fault in "The Demon of Gothos Mansion." Reasons: (1) Irv Novick's and Dick Giordano's fantastic pencils and inks. With this story they reached a new pinnacle of greatness: (2) Denny O'Neil's script further convinces me that he is the best writer in all of comicdom. He created a truly macabre tale which contained both mystery and horror. Truly fantastic was this tale. Exceptional!
Now on to the Robin story. I am not a Robin booster, but "Help Me — I Think I'm Dead" was pretty good. Mike Friedrich really knows how to pack a good story (at least half a story) into a mere seven pages. The plot was handled well and now here I am trying to figure out how Robin will get Stuart out of this mess. I am no master detective, so I'll just sit and wait till the next issue.
– Mike Cherkas
Oshawa, Ontario, Canada
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"Letters to the Batman," Batman #231 (May 1971)
Dear Editor:
The photo-like picture of Batman on the cover was fantastic. He hovered over the scene like a demi-god, examining the occurences, pondering, planning. The sweeping mists gave the reader an instant impression of the story to come — dark, fog-shrouded, mysterious.
Naturally, you will have quite a few letters disagreeing with the cover because it was "misleading." This word is terribly overworked among the letter-writers who prefer a cover which shows action or a good fist-right. This cover was a return to the Golden Age of Comics for Batman (1939). That is all that needs to be said from my point of view. I have neglected brow-beating Neal Adams for adapting the cover of Detective #31 for his own purposes; and for good reason. This cover was far superior, had more action in the foreground, and was colored better.
– David Sim
Kitchener, Ontario, Canada
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"Smallville Mailsack," Superboy #183 (March 1972)
"Death is My Dominion" #179 was nothing really spectacular. The really good part of the issue was "Revolt of the Outcasts," because you finally brought us back Pete Ross and gave us some insight as to what happened to him in the past few years.
– Bob Rozakis
Elmont, NY
"World's Finest Fanmail," World's Finest Comics #212 (June 1972)
Dear Editor,
"Meet the Tempter–and Die" was a unique tale in that neither Superman nor Hawkman ever realized that there was a villain they were battling. The Tempter deserves a return bout, perhaps with Green Lantern and Green Arrow (GA would probably be easy prey for him.)
As for the problem with enlarging Kandor, it would seem ridiculous to do so anywhere on Earth, since the planet would then be overrun with supermen. However, why not enlarge it on some other planet (one with a red sun, where they would remain non-super)? It's about time you got Kandor out of that bottle!
– Bob Rozakis
Elmont, NY
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"World's Finest Fanmail," World's Finest Comics #212 (June 1972)
Dear Editor,
After finishing "Meet the Tempter–and Die," I had the feeling that a real plot was hiding somewhere in those pages. Alas, it was drowned in syrup.
The sub-plot of the Kandorian scientist Kro-Al showed promise, but didn't have enough time or space to develop to its fullest. Instead, it grew a bit confusing, what with the scientists trying to destroy Midway City.
The Bureau of Missing Villains was entertaining. You've already explained, in a recent Batman Giant, that other artists sometimes worked under Bob Kane's name. Could the true artist of this one be Jim Mooney, by any chance?
– Mike W. Barr
Akron, OH
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"Where All the Action Is," Action Comics #414 (July 1972)
Dear Editor,
One thing I have to say about your new imaginary stories – they sure are different from the old "Superman marries Lois and look what happens" tales. Up until now, who ever considered that the Man of Steel would wed anyone other than Lois Lane (or maybe Lana Lang)? But in the latest issue of Action, you abandon that premise and give us a tale of Clark (not Supie) marrying a witch.
It was a refreshing idea and it made for a very interesting story. Krys deserves a return appearance, along with the android assassins and the rest of this new imaginary life you've created. How about it?
– Bob Rozakis
Elmont, NY
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"Superman in Action," Action Comics #427 (Sep. 1973)
Dear Editor,
Cary Bates has come up with one of his best Lex Luthor stories in a long time. The idea that it is the arch-criminal's all-consuming hate for the Man of Steel which leads to his continual defeat is a good one, even if the Hammer of Hate does seem a bit far-fetched. In addition, the crook posing as Luthor to take advantage of his criminal reputation was a touch of genius. It has often puzzled me why no one ever thought to impersonate some of Batman's or Flash's costumed foes.
I was amused to find that two lettercol correspondents compared The Human Target to TV detectives Mannix and Banacek, especially when this issue's story has Chris Chance playing a fat man a la the tube's Cannon. (What next? The Human Target in a wheelchair?) In any event, the story was a satisfactory wrap-up of Chris's twenty-year search for his father's killer. Keep up the good work with this series.
– Bob Rozakis
Elmont, NY
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"Super-Talk," Superboy (starring the Legion of Super-Heroes) #201 (March-April 1974)
"Carl and Tom Bierbaum, Dover, Del., also called [issue #199] a classic...."
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"Sports Arena," Strange Sports Stories #6 (August 1974)
The fourth issue of Strange Sports Stories was a bit weaker than previous ones. Cary Bates' story, "Challenge of the Faceless Five," relied too heavily on blatant mysticism to be mysterious and the convenience of having the faceless players be the sons of the Unbeatables was too overpowering. Added to the fact that, under the will-deadening effect of the aliens' ray, I doubt that the sons would have the initiative to train themselves in the images of their sires, especially to the point of being superior in capabilities. But the facelessness was a good gimmick and that is something recent DC scripts have lacked.
Denny O'Neil's "Man with the Golden Gloves," was another disappointment. It took too long to build up to a gimmick that was one, trite, and two, almost revealed on the cover. But the art by Novick and Giordano was impressive and John Rosenberger is a welcome newcomer to SSS.
Strange Sports is one of my favorite comics. Its unique format makes for some truly innovative stories and techniques, and for that reason alone it deserves the support of its readers.
– Carl Gafford
Brooklyn, NY
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"Letters to the Batman," Batman #265 (July 1975)
Dear Julie,
Once again, the Masked Manhunter has returned to what he was meant to be. Denny O'Neil has been better, but not by much! He brilliantly displayed The Batman as an avenger of the night wreaking havoc on the underworld. I just loved lines like "Or do I use you for a wrecking ball?"
Irv Novick and Dick Giordano were never better. The Batman looked human and yet, the way he stood over the grave of Hal Hemingway gave me chills. And if someone looked at me the way Batman glared at the guy on page 19, I'd die!
If we get stories like this every month, Batman will hit the top of the sales charts!
— Dan Jurgens
Ortonville, MN
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"Metropolis Mailbag," Superman #285 (September 1975)
Had to congratulate you on Collector's Edition C-31. The vintage Superman tales were well-selection and complemented each other perfectly while representing the Man of Steel's best artists. The issue's real wealth, however, is Hugh Ward's classic painting on the cover. If I remember correctly, the original hung in National's offices throughout the Golden Age of Comics – like Big Brother watching you! Well worth the buck!
– Jim Steranko
Reading, PA
Jim Steranko is the acclaimed artist of such 1970s Marvel classics as Strange Tales and Nick Fury, Agent of Shield.
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"Iron-Fist Fuls," Iron Fist #5 (June 1976)
Dear Marv, Chris, and John,
It was with a great deal of ambivalence that I read the "Iron Fistfuls" letters page in issue #3 of Iron Fist.I was very disappointed to read that the trend of the book in the future will be towards more superhero-ish antics, than martial artistry. If characters like the Monstroid and this issue's Radion the Atomic Man, are examples of what's in store for us, I may drop the hidden city of K'un-Lun on top of Chris Claremont's bushy head. Awhile ago I wrote in and complained about the type of baddies Danny Reed was running into. I then asked for more personal adversaries, who would make the conflict more intense, while allowing Iron Fist to display his martial arts technique as never before. I did not have in mind Radion. Chris, let it be known that you're going to get a NAY vote from me when it involves superhero-izing Iron Fist.
– Ralph Macchio
188 Wilson Drive
Cresskill, NJ 07626
Ralph Macchio is a writer and editor who's worked most of his career for Marvel.
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"Metropolis Mailbag," Superman #310 (April 1977)
Dear Editor:
Since the advent of Schwartzian editorial control back around 1970, we've hardly seen a trace of the innovations of the fifties and sixties. It was as if the slate were wiped clean–all of the silliness in the Superman legend was put aside. Lately, however, these concepts have slowly been resurfacing, and wonder of wonders, they're not half bad at all. I think your initial mistake was confusing concepts with handling. The concepts of those bygone decades are rich in story possibilities, but if they were handled as they were then, they wouldn't make it with today's more sophisticated audiences. If any episode of Tales of the Bizarro World were printed today, it just plain wouldn't make it. But "Backward Battle for the Bizarro World" is issue #306–ah, that's another story.
The first comics story I was interested in was back in the 2nd grade, when someone was passing around an issue of Adventure Comics featuring the short-lived Bizarro series. I recognized Supes from TV but here were these… bizarre creatures doing silly things like brushing their teeth with shoe polish and shining their shoes with toothpaste! Needless to say, I loved it. So you might say I've always had a soft spot (no, not in my head) for old Bizarro, because he, even more than Superman himself, started me on this wonderful hobby.
I was a bit anxious about how he would translate to today's audience, but I shouldn't have worried. Marty Pasko did an incredible job. Sloughing aside the low-comedy aspects of the character, he brought out the poignancy and pathos inherent in the original concept. And he was true to all that went before in his well-written and concise history of the Bizarro legend. When Bizarro broke into tears while Superman offered his rather inadequate apology, I was moved. Pasko's words flowed naturally and Superman and his friends have never sounded more real.
The resolution of the Toyman aspect of the plot was surprising, sad and well done. Bravo! A hundred times bravo! I can just note that Superartist Swan, along with Oksner, turned in a very inspired job. Kudos for them as well.
— Fred G. Hembeck
48 Custer St.
Buffalo, NY 14214
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"Iron Fistfuls," Iron Fist #13 (June 1977)
Dear Chris, John, and Dan:
Hah! At last, I realize why I like Iron Fist!
I mean, I know why I like Iron Fist the man… not the book. Oh, I like the book, too, but for different reasons. I mean…
Maybe I'd better think this through.
I like Iron Fist the book because it is a Claremont/Byrne production.
About Iran Fist the character–I like him because when he puts on that garish yellow mask, I can continue to think of him as Danny Rand. The number of comic heroes I can do that with, at all companies, you can count on one hand, Most comic characters take on a completely different personality when they don costume, and I see that as artificial and phony. But Danny Rand is Danny Rand, whether strolling through the park with Misty Knight, letting Colleen Wing lean on him, rapping with Lt. Scarfe, or fighting the Wrecking Crew. Iron Fist #11 was another savory casserole of all the ingredients mentioned above, so skillfully blended and mixed that to take out any one of them would ruin the dish. Perhaps the supreme compliment that I can make about Iron Fist is that I find myself growing impatient, and taking elephant kicks at the walls of my apartment, while waiting for the next issue. That's how much I like the little dragon. While I would like to Iron Fist published monthly, I'm afraid you'd take John Byrne off it. Please, don't ever do that. I would rather have Iron Fist by Byrne eight times a year than twelve times a year by someone else. Oh, by the way, Dan Adkins seems to have warmed up to John's pencils, issue #11 was a much better job than issue #10.
I have fallen madly in love with Colleen Wing, so please keep her in the book. But don't tell Danny; that kind of grief I don't need, But keep up the great work, men; I'm writing this on Election Day, and I'm casting my vote for Iron Fist. (Sorry, Howard.)
— Mike W. Barr
484 Spicer St.
Akron, OH 44311
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"Letters to the Living Legend," Captain America #251 (November 1980)
Captain America #247 was, technically, just another well-written, well-drawn comic book, clearing up an inconsistency about the main characters. But, aside from that...
Dum-Dum... Fury... Cap's old shield... Baron Strucker... what is this, old home week? The evocative nostalgia – plus the bit with the bus – made this issue a glorious reaffirmation of Captain America and all that he ought to be.
Stan Lee thawed Cap out in Avengers #4. Steve Englehart did it again in the seventies. And now, maybe Captain America has come out of his iceberg for good!
Congratulations!
– Kurt Busiek
Box 79, Lawrinson
303 Stadium Place
Syracuse, NY 13210
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"Letters to the Living Legend," Captain America #252 (December 1980)
Dear Roger, John and Joe:
Captain America has been revitalized for two issues now – and aside from the fact that it's nice to see the same creative team for two issues in a row, you folks have been doing some really nice stuff. I sent my rave letter last month, so this time it's critique. It's concerned with making the book better, now that's good enough to pay close attention to.
The characters have been well fleshed out, the action's been enjoyable, and each scene has been carefully presented to us. A bit too carefully, perhaps. While I'm not one to deny nifty fight scenes and time spent on the cast, the books are only seventeen pages long, and the book as a whole must be considered as well as the scenes that make it up. And the past two issues of Captain America have just been too short. You need to economize some scenes in order to get enough story material in the book. At the beginning of this issue, for example, two-and-a-half pages were spent on the fact that Machinesmith builds nice robots, and they blow up, too. Nicely done, it's true, but the first six pages could have been accomplished in four, leaving more room for the meat of the issue, which deserved more than eleven pages. The final five-page battle with Dragon Man amounted to little more than a chase, and a short one at that. The introduction of Bernie was well done, but it was really only a teaser. Either she could have been better defined, or Josh and Fireman Farrel could've got some coverage.
My point is, with all this even motion from scene to scene and even tone throughout the scenes, the issue lacked focus. It's didn't seem to begin or end, nor were there any major portions of it. Unless I'm wrong, the three major things I as reader should have remembered after I finished the book were: 1) Machinesmith is more than simply a malevolent super-villain, 2) Captain America is poised, cool, alert – he acts like the Sentinel of Liberty, and 3) Bernie Rosenthal is a character to watch. None of those came through (unless you looked for them on a second reading), because none of them were focused on. They were given the same coverage as everything else.
Anyway, my suggestion is: Try to put a little more story in each issue, or at least focus on the major points of the issue. Again, I'm making this criticism after noting that the book is one of Marvel's best – I just think that the best could be better.
One final thing... since you're going to be playing up the fact that Cap grew up in the Thirties, let me make a suggestion. I have always wanted to see Cap wax reminiscent about the movies and stars of his time. Gene Kelly, Katherine Hepburn, Spencer Tracy, Jimmy Stewart... I don't know when their various careers began, but Cap didn't go on ice until 1945... he must remember some of them. How about it?
– Kurt Busiek
Lexington, MA 02173
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"Let's Level with Daredevil," Daredevil #170 (May 1981)
Daredevil #168 was great. I really liked the story and the art was as fabulous as ever. The brief glimpse into Matt's past was very interestingly done. I think we all tend to forget that Matt had his unique abilities long before he became Daredevil, and so he must have used them in the line of duty before.
As for the debate on DD's change from a wisecracking swashbuckler to a grim scourge of evil, I, for one, welcome the change, and I don't feel it is an unreasonable one. Al Schroeder III stated in his letter that Daredevil is the rough little boy inside of Matt who never developed wholly, but I don't agree. Sure, at first DD joked and danced around, but then he got quieter and serious. The reason is simple. Matt Murdock is maturing. Daredevil is one of Marvel's oldest (in terms of personal age) heroes. Spider-Man is young, around 21 or 22, the X-Men are about the same, and even Steve Rogers isn't as physically old as Matt, who must be around 30-33. I hope this convinces you to leave the Man Without Fear as he is.
— Marty Powell
10907 Torington Road
Valley Station, KY 40272
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"JLA Mail Room," Justice League #197 (Dec. 1981)
Dear Len and Ted,
I just finished reading issue #192 of Justice League of America. Stunning. This month's tale was the best of all my DCs I picked up. Centering around one member of the group (Red Tornado) and at the same time involving the other heroes was an excellent idea. Even though there were 25 pages, I thought that my reading ended too soon.
Red Tornado has fast become one of my favorite heroes. It is about time that he starts acting like the hero I know he can be.
As for the art, what can I say? Welcome back, George. Your pencils have been missed (although Buckler did a very admirable job in your absence). Besides being my favorite artist, you draw the best Red Tornado this side of the border (and the other side too!).
– Todd McFarlane
2476 Capitol Hill Cres. NW
Calgary, Alberta, Canada
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"Devil's Advocate ," Daredevil #179 (Feb. 1982)
Dear Mesers. Miller and Janson,
Yet another fan letter comes your way, this one inspired by Daredevil #178. At Phil Seuling's recent comic convention in New York City, Jim Shooter spoke very highly of your current work on this title, and it's easy to see why. Daredevil is emerging as one of Marvel's most compelling and exciting characters of all time, thanks to your combined genius.
This issue was full of interesting counterpoints. The two-page scene at Wall-Eyed Pike's, from the initial tooth-brushing episode down to Pike's thwarted move to New Jersey (of all places!), had me laughing out loud, providing a needed humorous balance to the dark severity of DD's current situation. Another intriguing counterpoint plays off Heather Glenn's attempts to find her man vs. Elektra's stalking protection of her first and onl love.
While I'm on the subject of women in Daredevil's life, let me say that I've never been too fond of Heather or her social leanings, and was glad when the dynamic Elektra burst in on the scene, if for no other reason than to give DD an alternative love interest. Yet, with issue #176, even though Heather absurdly complains of being late for a concert while her supposed love one is struggling with the fact of his real blindness, she does go out after him, into the seedier parts of town, to help him in any way she can. This gives Heather a lot more in the way of guts than I would have credited her with, and consequently fleshes out her previously limp, high-society characterization. (But would she have pulled a gun on Snuff — and successfully???)
Another beautiful balance occurs between the quick Daredevil/Turk fight and the Elektra/Kirigi confrontation. Your portrayals of violence flow smoothly, without superfluous verbal patter, and with a kind of controlled passion.
Your midnight, storm-wrought settimng, tightly suspenseful plots, superb shadowy artwork, and the poetic starkness of the writing all serve to highlight your dramatic conceptualization of DD as the darknight devil. Many thanks to you both for such excellent work.
– Diana Schutz
524 Lakeshore Road
Beaconsfield, Quebec
Canada H9W 4J7
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"Devil's Advocate," Daredevil #180 (March 1982)
Dear Frank & Klaus,
Daredevil #177 was yet another visual masterpiece, though not quite as "offbeat" a storyline as its cover promised. This is not the first time that Daredevil has confronted his own personal demons and overcome them. Nor would I surmise that he has vanquished them entirely. (Do we ever really completely exorcise our inner devils? Or, do we merely lay them to rest for the moment, garnering our strength to face them when they raise their horned heads, as inevitably they will, again and again?)
Still, the story was saved from being simply a rehash of DD's battles with his own darker side by your careful balancing of other current, intriguing plot threads: Heather's ambivalence regarding her relationship with Matt, the tie-in to the Kingpin's plans for domination with the law offices of Nelson and Murdock, not to mention an insight into a more serious, heretofore unrevealed side of J. Jonah Jameson. (Since when has Jameson ever cared about publishing only the facts? Or is he finally learning something about responsible journalism?)
And Elektra. Re-surfacing in those last few panels, she continues to be shrouded in mystery — as are your and the Kingpin's plans for her — leaving the reader hungering for more. Although I'm dying to see more of her, a good deal of her strength as a character stems from your slow and tantalizing presentation of her, giving your readers just enough fodder for speculation without satisfying our appetite. You've made Elektra one of Marvel's most fascinating characters — and I'd hate to see her become whitewashed and bland through over-exposure. Well, I suppose I shouldn't have any worries on that score — your track record speaks highly for you, indeed.
Another 30 days to wait. On tenderhooks. Thanks, guys!
– Diana Schutz
524 Lakeshore Road
Beasonsfield, Quebec
Canada H9W 4J7
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"Titans Tower," New Teen Titans #17 (March 1982)
Dear Marv, George & Len:
Let me forewarn you, this is going a gushy fan letter. I left DC comics behind sometime in the late '60s in favor of boys and parties and the generally new world of female adolescence. And when I re-entered the four-color domain during the '70's, I never did return to the DC fold. Until last April in California when I was told Wolfman and Perez were hot. Deciding to see for myself, I picked up all the new issues of The New Teen Titans. Thus began my personal DC renaissance, and I soon branched out into reading several other titles. DC certainly has come a long way in the last decade.
But the Titans are far and away the cream of the DC crop — of any crop, in fact. You have both done a terrific job in resurrecting a twice-buried team. And after attending an interview with you last July at Phil SeulingÕs convention, it is easy to see why. You both seem so enthusiastic about your characters Ñ and that enthusiasm fairly bursts out of every page of the magazine. You so obviously care about the Titans, and that care consistently translates into real depth of characterization, smoothly flowing yet always gripping storylines and absolutely outstanding artwork. Let me say, George, that your recent scenes of Paradise Island are just breathtakingly beautiful.
Now, here you are with issue #13, entering your second, indeed, sensational year. The few glimpses into Koriand'r's past with the Warlords of Okaara were tantalizing. I hope to be seeing more in the future. Anyway, whatever you have in store for our group in the coming year I have faith in your ability to keep up the high quality level of this comic. I have yet to be disappointed.
Gentlemen, congratulations on your success. You're not only hot, you're a freakin' nuclear explosion.
– Diana Schutz
524 Lakeshore Road
Beasonsfield, Quebec
Canada H9W 4J7
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"Devil's Advocate," Daredevil #186 (September 1982)
Dear Frank and Klaus,
Having read your excellent version of Daredevil for over a year, I've found nothing to criticize up to issue #183. However, your representation of cardiopulminary resuscitation on page 16 and 17 of "Child's Play" is totally inaccurate.
For one thing, at no time is Daredevil shown giving the victim mouth-to-mouth resuscitation. Fat lot of good it's going to do to get the heart started if he has no air in his lungs! Secondly, his heart massage technique is grossly ineffective. One doesn't strike the chest in a violent action. This would only crack the man's ribs and otherwise damage his internally. The correct method is a smooth, firm chest compression in an evenly measured cycle.
Also questionable is the way DD takes the girl to the hospital on page 4. Presumably, his super senses would allow him to carry a girl with crushed vertebrae safely. But his example should certainly not be followed by people in the real world. Someone with a broken back should not be moved before the ambulance arrives, except to administer CPR.
It doesn't take superhuman strength to apply CPR; a pregnant mother is capable of massaging the heart of a large-sized man. All CPR requires is a short training course offered free by Red Cross agencies everywhere. Daredevil is a great book for giving the reader the vicarious experience of being a hero, but wouldn't it be terrific if it could inspire thousands of its readers to take the time to learn the actual technique of CPR to potentially become real heroes? CPR saves lives!
– Joe Zabel
185 Maple Drive
Youngstown, OH 44512
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"Fantastic Four Fan Page," Fantastic Four #246 (September 1982)
Dear John,
After re-reading the issues of the Fantastic Four that you drew and wrote, I've decided this book is tied with the X-Men as my #1 favorite. I look forward to both titles with the same amount of zeal each month. It's a tie! Anyway, "Render unto Caesar" was excellent!
The plot, artwork — everything — was great. I especially liked the personal touches, such as Ben in the "Idaho Smith" outfit, Reed holding his head in his hands on the same page, Ben hiding his ever-lovin' blue eyes on the last page, and, of course, Johnny's brotherly crack about Sue's figure. You make the book really great to read. I can't overlook the fine, detailed art. Only you could portray the huge wooden elevator, or, for that matter, Rome. Keep it coming.
I like Frankie Raye and her "human torch" power. She has a lot of potential. Her eagerness to go into battle was exactly how a lot of people would act if they had such power. Please, a little more on the Frankie and Johnny sub-plots.
Another thing I liked was how important and prominent Sue was in this issue. I like it when Sue has a lot to do with the story. It was good to see� her take her time and think, and then take Gaius' helmet off. Sue wasn't just in the background. She defeated the foe. Another thing, I for one like Sue's haircut. I don't know what the fuss is about. It flatters her face and makes her look beautiful as always. In fact, I think she looks better now than when she had long hair.
Before I close, one question: on the last page Sue says "I got out of the city on an invisible force field slide, but it was a terrific strain keeping myself invisible too." Yet In issue #236 Reed says "Even maintaining yourself and that stool invisible has no measurable effect on your abilities." So, if Sue projected a force-field slide just as wide as they stood it shouldn't have been that hard, right?
You've made this book fantastic, John.
– Jill Thompson
428 Circle Avenue
Forest Park, IL 60130
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"Strange Mails," Doctor Strange #55 (October 1982)
Roger, Marshall and Terry:
Doctor Strange #53 was a gorgeous book – a lasting tribute to your six-issue run. The Gnits were an absolute delight, with their humorous situational/psychological analyses and their narrative asides, they added welcome levity to the story. The danger in a series such as Doctor Strange is a tendency toward the ponderous and pretentious… a side-effect of the mystical themes involved. The charm of the Gnits, on the other hand, provides a perfect balance to the mage's heavy seriousness.
I'm not sure what to make of Clea's departure. I can't quite believe anyone would be so noble. I have to say, however, that Stephen's reaction to Clea's leave-taking was just stunning. That beautiful end sequence imbued the Doctor with much more humanity than he's shown of late. If I'd ever had reason to question his love for Clea – given his overwhelming concern for things mystic and his seeming neglect of things emotional – the last page of this issue has dispelled all a doubt. This is a man in torment.
Marshall… Terry… your graphics were superb, as always. Your Doctor Strange is very reminiscent of Ditko, and yet still entirely you own. And your FF a la Kirby were an enchanting treat this issue. I'll really miss your work together.
Nevertheless, I'll be looking forward to future issues in the hope that the aesthetic excellence of the past year will continue to be maintained.
– Diana Schutz
6616 Telegraph Avenue, #103
Oakland, CA 94609
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"Legion Outpost," Legion of Super-Heroes #305 (November 1983)
Dear Paul,
I don't like it, I don't like it, I don't like it one little bit, the fate that you have left poor Invisible Kid I to. The one thing that made his death bearable, was the fact that we knew he was somewhere in that other world with his love and maybe, just maybe, he was happy. Why you sap! Look what you've done! SOB, Sob, sob!!! I would certainly like to know what Lyle has done that is so terrible to make him deserve this kind of an existence for eternity! I will expect to see a follow-up on this issue sometime in the near future, so get to work!
Okay, now that I've worked off my mad, I would like to congratulate you all on a well-done issues. The White Witch is certainly an intriguing personality. I sure would hate to have her mad at me! I firmly suggest that Dawnstar get her butt off her shoulders and try to work with her fellow Legionnaires, especially the Witch. I have a feeling Mysa won't brook the kind of commentary Dawny seems to eager to dish out.
Speaking of Dawnstar, did I notice some concern on her part for our wayward Mr. Burroughs? They make a cute couple. A deserving couple. They deserve each other. I can't help feeling a tug at the old heartstrings when I think of Wildfire's rather undesirable position. All that power, and we all know he'd trade it in a minute just to be human again. It almost makes me want to like him. Almost.
I just knew there was going to be something between Shvaughn and Jan. It's about time too! The last time he had a girlfriend was, well, a long time ago. Her name was Marya and she was about as interesting as a dishrag. Shvaughn is likable. Good for them! Though I wonder if Element Lad is as afraid of girls as he seems to be. That would be amusing.
I really think it would be a good idea to review the Legion Code. The rule about killing is a noble one, but I fail to see how, with all the out-and-out wars in this book, how the Legionnaires can expect to be so delicate. The other people out there certainly have no qualms about killing the Legionnaires. I'm not saying that the Legionnaires should go out for wholesale slaughter, but I think the whole idea should be reviewed and revised. I cannot help but wonder how the Legion can down battlecruisers from Outer Slobovia, make mincemeat out of the metal, and send sparks and flame hither and yon, and not ever worry about casualties. The bad guys would be a whole lot better of manning their ships to the teeth instead of using drones all the time. The Legion would be spending so much time wondering how to disable the ships without killing someone, the bad guys would win the war.
A nice touch on page 21. There was a lot in Cosmic Boy's voice when he said, "You know I've been waiting for something like this, Dream Girl!" Yeow. I'll bet he was! Nice, Paul.
– Colleen Doran
2139 Dawson Drive
Yorktown, PA 23690
Colleen Doran is the creator of A Distant Soil.
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"PlexMail," American Flagg! #4 (January 1984)
Dear Howard and Mike:
American Flagg! #1 was disgusting!! Let me explain…
The concept behind this series is an interesting one, and this comic definitely showcased some of the finest art I've ever seen in my near-twenty-year comic reading (and especially the best work that Howard Chaykin has ever done… it was beautiful!) BUT… the subject matter and language in the book were definitely adult-oriented, and this title was not advertised as being "adult fantasy," as it should have been promoted. I would not want any child to be able to buy and read this material, and First Comics has made no effort whatsoever to label this book as being for mature audiences. That disgusts me. Think about it, guys, do you really want a ten-year-old boy to read this comic? I would hope not!
I applaud First Comics for their innovative titles, but I must personally boycott American Flagg! until its sale is prohibited to minors. And that's a shame, for two reasons: 1) I am a serious collector, and 2) this has to be one of the most visually-stunning comics ever produced.
– Michael Eury
658 Harris Street
Concord, NC 28025
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"Titans Tower," The New Teen Titans #40 (March 1984)
Dear Len, Marv, Romeo, and ... KEITH:
The New Teen Titans #35 was a gem! It's refreshing to see an issue that showcases either one or a small number of the Titans, as did this one. "Seige" was definitely gripping, and I'm glad that Cyborg and Sarah have finally been reunited. Their relationship should prove to be interesting.
Keith Pollard did a titanic job as guest artist in #35. Of course the ever-astounding inks of Romeo Tanghal certainly helped the mag maintain its excellence. I also enjoyed Marv and Keith's Spider-Man joke on page 14. I remember their excellent work on that title a few years back.
In just two months, The New Teen Titans will begin its fourth year of publication, and the title is still going strong. You guys really care about this book, and that fact is quite evident by your consistent high level of quality.
– Michael Eury
658 Harris Street
Concord, NC 28025
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"Titans Tower," Tales of the Teen Titans #42 (May 1984)
Hey, you guys!
Pérez is back! And with a vengeance! I've got nothing against Keith Pollard, but nobody – not nobody – can compare to our own lovable George!
Wow! The Titans, the Outsiders, and the Fearsome Five all in one story, taking place in two titles! Sounds great. Judging from the first part, it is great! My favorites:
You've improved on Shimmer. Her face is slightly changed from the wasted look in previous issues. I like it. It gives her more individuality.
Dr. Light is once again treated like dirt by the rest of the group. I think he may be starting to realize he's not the omnipotent villain he thought he was.
We learn some stuff about Baran and Selinda's past. Good. It's always nice to know bad guys' histories (we sure get enough of the good guys').
Whew! Terra almost got the Titans' secret identities!
2nd panel, page 18. Hah! I love The Batman, but he got what he deserved there. Robin politely told him to butt out of his conversation!
Gulp! What's going to happen to Cyborg's arm (if he survives)?
By the way, if you haven't guessed yet, I loved Titans #37!
– Josh Neufeld
688 East 7th Street
Brooklyn, NY 11218
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"PlexMail," American Flagg! #8 (May 1984)
C'mon Fellas…
Howard Chaykin is optimistic about the future? Whose "future"? His? His stock broker's? You are what you write, in my book.
His list of suggested reading in AF #1 doesn't reflect this optimism. His work doesn't reflect this optimism. He seems like a pessimist to me. Pretty cynical, too.
Just because Howard Chaykin isn't getting jacked around by DC and Marvel anymore doesn't mean the world is better. Just his world.
But don't misunderstand me now… I think American Flagg! is a great comic coming from a great company.
Hope First's future is bright.
– Larry Marder
7060 N. Sheridan
Chicago, IL 60626
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"Detective Comments," Detective Comics #539 (June 1984)
Dear Bat-people,
I just finished ‘TEC #535 and I'm very pleased. The new Robin looks like he'll turn out great. Poor kid, though! His second night on the job and he's badly beaten and hypnotized! The idea of using Crazy-Quilt, who hates Robin more than any other villain, was terrific! He was so blinded by his hatred that he didn't even notice that the Robin he was attacking wasn't the one who had caused him so much anguish in the past.
Jason was very clever to figure a way out of his dilemma, despite his lack of experience. Hopefully, now Batman will realize that Jason can fend for himself just like Dick Grayson did. Without having to worry so much about Jason, the Batman should be able to work out the many problems still confronting him (i.e., Vicki Vale and Alfred).
Oh, yeah. Batman finally came to terms with himself and why he does what he does. He's out for revenge, against all criminals. Each bad guy is just a reincarnation of Joe Chill, killing Bruce's parents, over and over again.
By the way, what's Jason going to do about his hair color? Is he going to keep it dyed black?
Also, I had just been thinking about the very thing Robert Jimenez brought up. Batman would definitely look better in black than in blue.
– JMRN (Josh Neufeld)
688 E. 7th Street
Brooklyn, NY 11218
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"PlexMail," American Flagg! #23 (August 1985)
To: Plex-Mail,
Kudos to Allen Brunson for the comments on AF!'s subliminal sexism. He wrote the letter I've been trying to formulate for quite some time now, or part of it at least. The heels that Chaykin's women wear would cripple any normal human being in a matter of hours. But then, their calf muscles are probably so shrunken by now that they'd fall over backwards if the shoes were removed. Are they surgically attached, or what?
I must disagree with Mr. Brunson on what he seems to consider a minor point – the "occasional references to previous issues" which "serve no purpose other than perverted self-advertising." These references to past events are a part of what I consider Chaykin's greatest strengths: the ability to create a consistent, believable, many-faceted future history/universe by extrapolating current trends and popular beliefs to possible – if extreme – ends.
– Anita Bennett
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"Swamp Things," Swamp Thing c. #44 (c. January 1986)
Dear Alan,
"I am woman."
"Stand not between me and my wrath."
The words above are written by you. taken from Swamp Thing #40, "The Curse." They are strong words. Words that are meant as a warning. Do not underestimate ma any longer, she is saying. You face a formidable enemy. I have worn the mask of servitude long enough. It is my turn now.
So what does the lady in question do? Kill herself.
Great answer, Alan. Right up there on the game-board of Family Feud. Right up there with staying with that wife-beater of a husband, or living with a sexual pervert who abuses your kids. Get a kiss from Richard Dawson and everything will be all right.
Where is the strength in suicide? Before I was a writer, I was a nurse. During schooling, I did a stint in psychiatric nursing. We had a patient kill himself. Yes, the repercussions on the family were horrible. Blaming themselves, wishing he was still there so they could make it up to him. Yes, they learned the hard way to grow a little wiser. But what did the patient learn? Nothing ... except perhaps what It feels like in that split-second before death to have yourself mashed and torn and turned to rubble.
Yes, he was psychotic. Yes, he was depressed. Your story implies that menstruation turns women into raving maniacs and fallen depressives. Yes. I know all about PMS. Unfortunately, like everything else, It has become a catchphrase, a net to snare the misunderstood, a loophole for lawyers.
I understand what you were trying to point out ... that unless we all stop having preconceived notions of how we're supposed to behave, we are all as doomed as the poor woman in that story. And on a more intimate scab, I also understand that you were trying to point out to our male audience that women don't deserve to be treated in such a horrific manner ... that you ware striking a blow, not just for equal rights, but for equal understanding.
But how can there be equal understanding between partners when one of them lies dead under the howling moon? The dead do not hear, Alan ... despite our wishes ... and if they do, they are forbidden to answer.
Anyway, I doubt very much if Roy has learned anything from this episode. My best guess is that he will mourn for a time, but sooner or later the guilt he feels over Phoebe's suicide will turn to callous anger ... "Oh, well, she was always a bit looney, anyway" ... and he'll get on with his life. So there are losers all the way around.
And why does Phoebe kill herself? You can beat around the bush all you want, but in the end she killed herself because she was born a woman. Great message, Alan. Right up there with the morning prayer of Orthodox Jaws ... "Blessed art thou, oh, Lord, our God, who maketh me not a woman." Don't misunderstand, I'm not concerned about you, or the adult members of our audience. But what about the others? The ones who will read the story, and like Roy, will say. "Yeah, women. Only good for one thing."
In these days of growing pains for human liberation (not just women's), I believe It is important to confirm the importance of one's ego ... to encourage the growth of self-actualization, if you will.
Sometimes I think men are afraid of women ... the ancient fears are Still deep within us all ... and women hold the secret of life within their bodies ... at least, that is how the ancients thought. {They didn't know about the production of sperm, of course ... without which, what good are all the ova?) All those men knew was that Life blossomed within women's bodies. The terror they felt, the awe they felt, was transferred into the matriarchal religions of pre-Christian, pre-Semite, and pre-Hellenic days. That's how far back this mystique of womanhood goes.
But there is no mystique. It's all just part of life, part of nature. Menstruation is a sign of health. It is not blood ... not blood in the purest sense. It's made up of the endometrial layers of the uterus, which are discarded when no child is conceived. Without menstruation, there is no health. Without health, there is no blossoming of new life.
The curse is not being born a woman, Alan. It's not the menarche, and it's not being born a man. It's giving up, giving in, throwing in the towel, not believing in yourself. Sure It's hard. I've had my share of life's bruises. Life stinks, sometimes.
But the answer doesn't lie in suicide.
And I'm really afraid that some kid out there is going to wake up some morning in her eleventh, twelfth, thirteenth, or fourteenth year and find her bedsheets stained red. And she'll believe her life will be cursed from then on ... and, like Phoebe, will never be able to look at the moon in innocent wonder again ... until It is too late.
Sincerely,
– Mindy Newell
Somewhere in the Swamplands of New Jersey
P.S. I'm voting for the story in next year's CBG Awards and Kirby Awards.
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"Aardvark Comment," Cerebus 112/113 (July/August 1988)
Dear Mr. Sim,
I like your book. I dislike you. I really like your book. I dislike you even more. In fact, I think you're such an asshole that I have stopped reading Cerebus. Now, "Big fucking deal," you might say, "I lost a shithead reader." Unfortunately, I am but one of many. I manage a comic book shop, and I know of at least ten people who boycott your book, a book they once enjoyed, because they know what a true fuck-up you are. Now you know why Cerebus sells like shit. I suspect this isn't an isolated case, in fact, I'm sure you receive hundreds of letters like this every day. Grab a clue, buddy! If what goes on at our shop (a relatively small shop) goes on at most of the 475 shops listed in the Overstreet Price Guide, you could be missing out on probably more than 4750 sales simply because you're a dick. Gosh, I hope so. Before you try and rip me apart, my customers that aren't reading your book are the same ones that read Alan Moore material. They are not idiots. They like your stories, they like your artwork, but because you insist upon acting so belligerent and juvenile towards anyone who opposes you, they do what they have to. They are trying to tell you that being a close-minded asshole, using your book as a shooting gallery, is not the right way to go. I'd take this into account if I were you, it's only your income being affected. Now, if you must, you can rip into me and tell me that I and my customers are the true fuckheads.
Yours truly,
– Eric Reynolds
Land of Ooh's and Ah's
17179A Brookhurst Street
Fountain Valley, CA 92708
P.S. Sorry I didn't type this, but you're just not worth my time. I was hard-pressed to spend the quarters on the stamps.
P.P.S. I am establishing a Shawn R Granger Fan-club. For any information, please contact me at the above address.
P.P.P.S. Please do us all a favor, never have children.
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Elektra: Assassin #4 (?) (Nov. 1986)
Dear Mr. Goodwin,
Elektra: Assassin is some of the finest (if not the best) work Frank Miller has ever done. It even topped his recent issues on Daredevil and The Dark Knight for DC. The events dealing with Elektra's birth were very shocking. I never knew the details of Elektra's birth or origin, and this story gave me an idea. I was really glad you could fit Matt into the story (if only for a few panels).
As for Bill Sienkiewicz (how does he get ‘Sinkevitch' out of that?), I'm not too sure about his art. His old Moon Knight stuff is some of the best I've ever seen, but this book looks like he drew while on acid. I'll have to keep in mind that Elektra was drugged during this story, which I hope accounts for her abstract thinking. Is she is sane and/or not drugged next issue, I hope the art will reflect Bill's true talents. All in all, it was a great book and I'm looking forward to next issue.
– Eric Reynolds
Huntington Beach, CA
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"Doom Sayers," Doom Patrol #57 (July 1992)
Dear Doom Sayers,
Someone once told me that most comics writers started out writing letters, and since I really love Doom Patrol and hope to write it some day (I mean, only if Grant gets bored, or sick, or something – I wouldn't want him to lose his job) I thought I'd better write you a letter. I really like Doom Patrol, especially all of the weird stuff. I'm pretty weird myself, so it's nice to see other weird people getting a voice in comics (are the rumors true about Grant and the latex rabbit?). Hey, here's a great idea. What if Barbara Bush joins the Doom Patrol? George wouldn't have to know, Barbara could go on missions when George is off in foreign capitals with Dan Quayle. She could wear a diaper and call herself Bush Baby.
Well, that's my letter. I hope you print it so I can get to write Doom Patrol. I mean, just in case Grant runs off with that rabbit.
Sincerely,
– Rachel Pollack
Rhinebeck, NY
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"Doom Sayers," Doom Patrol #59 (Sep. 1992)
Dear Doom Sayers,
Wow!
Thanks for printing my letter. I mean, it's a start, right? I do a few more letters, Grant gets a job writing for Bill Clinton, and bam, I'm off and running.
Actually, does it help that I used to have a secret identity? I gave it up one day. Well, actually, I gave up the public identity and kept the secret one, which was a lot more fun.
Now I guess you want to hear some ideas. That's only fair. So how's this? A crossover miniseries with the Inferior Five. Or maybe Sugar ‘n' Spike. Wow, how about this? Spike turns gay and speaks only in anagrams of the words "broom closet." So Sugar gets Crazy Jane to help her find a real man, only it's not Jane, it's Flex Mentallo!!! Okay, so maybe there're some kinks, but we can iron them out in story conferences.
Until Grant runs off with Barbara Bush,
– Rachel Pollack
Rhinebeck, NY
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"Doom Sayers," Doom Patrol #87 (Feb. 1995)
Dear Julie,
When I learned this weekend that Doom Patrol was soon to be canceled, it was if I'd been hit by a truck. Big truck, fast truck. Not a pleasant experience. I'm shocked. I'm stunned. Okay, actually I'm not all that stunned. It seems that readers have noticed for months that the sales on DP were not exactly skyrocketing. But for any book with as diverse a cast and distinct a creative team to fail as DP has, something is wrong.
Should we blame Rachel Pollack and Ted McKeever? I think not. Rachel has provided some fine, memorable stories during her tenure as a writer. When McKeever joined up, there was suddenly this total package that was weird and wonderful at the same time. Ted's coloring only added to the uniqueness that is/was Doom Patrol.
Should we put the blame on the readers. Perhaps. DP is hardly light reading. I usually have to read it two times to really "get" the story. But it's always the kind of story that asks really difficult questions, the kind of story that examines historical and cultural icons and recreates them.
Should we blame the retailers? Why not? DP is/was hardly a book that any retailer I know ever promoted. While we're at it, let's put some blame on DC/Vertigo. Make no mistake, I'm very pleased with the commercial success of Sandman and the number of noncomics readers who have now become avid readers. It just seems that somewhere between the slick Vertigo ads and the Sandman poster books that DP was pretty much forgotten about.
I will miss reading and collecting the series. I hope you will someday reconsider this very bad decision.
Thanks for listening.
– David Yurkovich
116 Clement Road
Oreland, PA 19075
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"Dear Sir," Palookaville #9 (June 1996)
Dear Seth,
The first five pages of PV #8 were thrilling and daring! On first glance they might seem non-narrative, but of course they're brilliantly narrative. You really made me feel time passing.
– James Kochalka
Burlington, VT
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